Ages chant stand

AGES Initiative now a GOA initiativeAugust 31, 2021 (GOARCH) - The Greek Orthodox Archdiocese of America has acquired certain assets of the respected AGES Initiatives organization, which has provided digital music for Byzantine Chant utilizing both Byzantine and Western notations and translations of liturgical texts for Orthodox churches around the world since 2012. In that time, AGES Initiatives has developed a full suite of digital texts designed to facilitate the study of Byzantine chant in a variety of languages for those at church, at home, or in the classroom. The acquisition of the Digital Chant Stand, the most popular resource of the AGES Initiatives, will allow the Archdiocese to continue its mission to enhance the worship experience of the Orthodox faithful by supporting the liturgical arts and making them widely available with meaningful translations and modern technology. The Rev. Hieromonk Seraphim Dedes will join the Archdiocesan Staff as Digital Liturgical Content Manager, Liturgical Translator and Typikaris; Mr. Richard Barrett will join the Archdiocese in the Office of Liturgical Texts and Translations.“It is with great joy that we are able to announce the inclusion of this wonderful resource within the music ministry and sacred worship of our Archdiocese,” commented His Eminence Archbishop Elpidophoros. “Our aim has always been to supplement the ongoing needs of our Church musicians by providing them with the necessary resources and bilingual materials to properly fulfill their duties within the divine services. Therefore, with this new acquisition, we remain committed to supporting the efforts currently taking place across the Archdiocese to meet the contemporary musical and liturgical needs of our parishes.”The Greek Orthodox Archdiocese, through the continued work of Fr. Seraphim, will maintain the Digital Chant Stand as an official Archdiocesan resource, compiling service texts and musical scores for the entire liturgical year in both Greek and

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English, and distributing them electronically via the Digital Chant Stand website and the new GOA Digital Chant Stand mobile app. The acquisition of the Digital Chant Stand is the first step towards a broader vision of liturgical revitalization in the Holy Archdiocese. In June of 2020, the Holy Eparchial Synod approved the formation of the Liturgical Arts Commission, which is led by His Grace Bishop Joachim of Amissos. The Commission serves as both a resource and an arbiter of texts and translations of worship and Scripture, musical adaptations, iconography, and architecture.Throughout the course of the coming year in which the Archdiocese will celebrate its Centennial, the Liturgical Arts Commission will oversee the gathering of all relevant resources, in the aforementioned categories, into a single digital portal, enhancing these resources for the parishes and the faithful. The Digital Chant Stand has been made possible by the generous support of Leadership 100.To visit the Greek Orthodox Archdiocese of America’s Digital Chant Stand, please visit posts from this blogEP calls different Paschal dates a "scandal"( Orthodox Times ) - Ecumenical Patriarch Bartholomew extended in his homily his heartfelt wishes to all the non-Orthodox Christians who celebrated the Holy Easter on Sunday, March 31, after presiding over the Sunday Divine Liturgy at the Church of Saint Theodore of the Community of Vlanga. “On this day, the timeless message of the Resurrection resonates more profoundly than ever, as our non-Orthodox Christian brethren and sisters commemorate the resurrection of our Lord from the dead, celebrating Holy Easter. We have already sent our representatives to all the Christian Communities of the confessions here, to extend our heartfelt wishes of the Holy Great Church of Christ and our Patriarchal congratulations. But also from this position we extend a heartfelt greeting of love to all Christians around the world

The GOA DCS (Digital Chant Stand) app for iPhone and iPad gives you access to a growing library of free online Orthodox Christian liturgical texts and music. It brings together available texts, musical scores and audio recordings of hymns and entire services, to facilitate learning, preparation, and performance in church. All content and functionality is available at no cost.You will need to be online to download the DCS materials.AGES DCS is the evolution of eMatins, previously produced and offered by Fr. Seraphim Dedes. You can print PDF booklets of services as well as individual scores directly from your iPad.This public version of AGES DCS is offered for free and as is. The translations, rubrics, Greek and English texts are for the purposes of worship only and are subject to change without notice and should not be construed as a commitment by the authors, translators, developers, and personnel associated with their publication. Every effort has been made to make the materials as complete and as accurate as possible, but no warranty of fitness is implied.For information about other versions of AGES DCS and the inclusion of different texts and music, contact AGES Initiatives.AGES Initiatives envisions all Orthodox Christian churches having the texts, music and trained singers needed to maintain the fullest possible liturgical life. What’s New Fixed "jittering" that could occur when trying to scroll to the very end of a service. App Privacy The developer, Greek Orthodox Archdiocese of America, indicated that the app’s privacy practices may include handling of data as described below. For more information, see the developer’s privacy policy. Data Not Collected The developer does not collect any data from this app. Privacy practices may vary based on, for example, the features you use or your age. Learn More Information Provider Greek Orthodox Archdiocese of America Inc

For the congregation. Thus, until the 2023 Revised English Hymnal, English hymnals did not attempt to provide a choice of settings for each liturgical text.[9] However, no matter how many (or which) settings are included in the hymnal, compared to a century ago, in this day of high-speed copiers (and projection screens), it is now practical for congregations to sing settings that are not in the printed hymnal.Chants EncountersIn the service music section of typical Anglican hymnal, the reader will encounter various styles of chant. Like hymns, the chants have words, notes, and (usually) verses; unlike hymns, the verses do not have a fixed pattern or total number of syllables, but instead the phrases of the text are generally sung using a modified speech rhythm. In other words, hymns require editing the text to fit the fixed rhythmic pattern of the tune, while chants fit the tune to the existing (variable-length) text, such as a psalm or a biblical canticle.Some chant forms are unison, while others offer four-part harmonies; with rare exceptions, there is no time signature. SUL incorporates the four main chant styles found in the other three Anglican hymnals.Plainchant[10] was the dominant form of Western liturgical music for most of the Middle Ages, with monophonic (unison) tunes sung to the speech rhythms of the Latin text; so-called “Gregorian” chant refers to a specific subset of the monophonic liturgical music. Largely displaced after the Reformation, plainchant made a dramatic comeback in Victorian England through the efforts of Thomas Helmore and others.[11]Anglican Chant is a uniquely English way of chanting an arbitrary text to a series of chords (harmonized voices), with four chords in the first half of the verse and six in the second half.[12] Although the harmonic patterns of Anglican Chant can be traced to the 16th century

1990, Elizabeth Downey explained:[M]any ways of singing psalms are being tried… Simplified Anglican chant is one way which has met with wide success; it does not require the use of a pointed text, and relies upon a simple melodic formula with accompaniment. …The very simplicity which is such an asset at the beginning may, after a period of time, seem less adequate for praying the psalms. A long-term plan for gradually introducing other chants should be developed; a congregation might move from the simplified form to the more structured, pointed Anglican chant, or to responsorial plainsong…[18]In previous hymnals, stand-alone simplified chants were provided by the “Appendix” of H82 (nine) and in the printed MTL (12).[19] However, these chants were not matched to any specific text. For SUL, all the simplified chants are assigned to specific texts.Beyond these three categories, SUL also classifies some music as Simplified Gregorian Chant; although not a term with a standardized definition, it is as good a term as any. It’s a unison plainchant sung like any other monophonic chant: however, it is written out more like Anglican chant, but with the passing notes at the beginning and the long reciting tone in the middle. Both H40 and MTL have a number of examples of this approach, including a familiar Venite.[20]In addition to these four categories — plainchant (“Gregorian Chant”), Anglican Chant, Simplified Anglican Chant, and Simplified Gregorian Chant — SUL uses a few other terms to label its service music. The most frequent is “Modern Arrangement”, but it also includes “Contemporary Folk”. For 12 pieces of music indexed in the service music but printed in the body of the hymnal, nine of these cross-referenced pieces are labeled “Metrical Hymn”, i.e. use modified texts that conform to the strophic pattern of a hymn. Unlike earlier hymnals,